Greg Wilson
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A Potted History of Re-Edit Culture with Greg Wilson
From Segues to Stems, Greg Wilson discusses his history in the re-edit world, through to his involvement with STEMS.
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7 quick tips for ambient, atmospheric music
Got the basics down? Here's how to make ambient music that offers a little something extra.
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Telefon Tel Aviv: Sound design, sine waves, and why ‘wrong’ is often right
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
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Using TRAKTOR in the studio: How the DJ tool is used to make beats
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
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Eomac and Kyoka are Lena Andersson
Learn about the collaborative project between Irish producer Eomac and the Japanese artist Kyoka.
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Secrets of electronic interfaces: Modularity
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
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Thomas Ragsdale on atmospheric, commercial music
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
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Richard Devine: A history of making music
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
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Robert Dudzic: How to be the best at sound design
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.