Video Games
The best highlights from Native Instruments Hackdays 2019
Watch our highlights video, as the Native teams took a step away from the everyday to see where one week of collaboration would take them.
Creating music and sound design at Electronic Arts with Sam Bird
Learn more about how sound design and scoring in video games work, and what tools and instruments are used in the studio
The sounds of video games, both real and imagined
To celebrate the legacy of video game sampling, we spoke with some of the finest purveyors of video game-informed samples from across Sounds.com, in an effort to learn about their processes and inspiration.
Loic Couthier: Designing engine sounds for WipEout in MASSIVE
Designing the engine sounds for WipEout Omega Collection, the latest installment of the iconic PlayStation racing franchise.
Engineering the sound of fear
The team behind the sound and music of Capcom's Resident Evil 7: Biohazard reveal the techniques and tools that brought their monstrous creation to life.
Christopher Larkin on scoring for game, film and TV
Advice from the trenches of scoring, from the prolific composer.
Reality bites : Adventures in VR game audio with Jim Fowler and Joe Thwaites
Native Instruments talks to two leading sound designers and composers at Playstation.
Rich Vreeland: Bridging the divide between games and film score
Following on from scoring indie horror flick 'It Follows', Rich Vreeland a.k.a. Disasterpeace, discusses his work in the gaming community, in addition to his latest movie project.
How to compose for video games with Daniel James
With a background in making music for films and acclaimed video games, Native Instruments speaks to composer Daniel James about his experience in the industry, and how he approaches his work.