Scoring
Engineering the sound of fear
The team behind the sound and music of Capcom's Resident Evil 7: Biohazard reveal the techniques and tools that brought their monstrous creation to life.
Christopher Larkin on scoring for game, film and TV
Advice from the trenches of scoring, from the prolific composer.
Jim Guthrie: From guitar music to scoring games
Juno Award winner, and sound designer for Playstation Jim Guthrie discusses his approach to music making, and studio work.
Top 10 string libraries
Get the strings you need, with this rich selection of KONTAKT-based orchestral selections.
Wolf Alice’s Joel Amey on using KONTAKT in the studio
Describing how they made track 'Visions of a Life', Wolf Alice talk about life in the studio.
Sound advice with Ben Frost
Producer and composer Ben Frost talks inspiration, sound design, and shares insights into his experience on working with Steve Albini.
Niklas Paschburg: Painting with Pianos
The German producer breaks down the processes behind his new electronic-ambient composition, 'Oceanic'.
Rich Vreeland: Bridging the divide between games and film score
Following on from scoring indie horror flick 'It Follows', Rich Vreeland a.k.a. Disasterpeace, discusses his work in the gaming community, in addition to his latest movie project.
How music synchronization works
Want to know how to get your track featured in the latest TV series? Here is the ultimate guide to the sync industry, featuring insider tips, examples and more.
Ronit Kirchman on scoring ‘The Sinner’
Find out how LA composer Ronit Kirchman developed and produced the soundtrack for TV drama 'The Sinner'.
Kan Wakan on working with Moses Sumney to scoring for Showtime
Recording artist, soundtrack producer, and Moses Sumney collaborator discusses classic sounding studio tools, and composition techniques.