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Got the basics down? Here's how to make ambient music that offers a little something extra.
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
Find out how the Mesh and Monkeytown producer creates his ethereal, atmospheric productions.
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.
Propel your productions with unconventional textures and tones in these five free beat making plugins for KONTAKT…
Create a multiverse of celestial sounds with ambient synths from the User Library…
Embrace unpredictability with these frequency modulation must-haves from the User Library…
Introducing the latest mixing software innovation from iZotope, Neutron 4. Spend more time producing music, and less time fixing mix…
Create movement and texture with deep and daring dynamics…
Change up your vocal chain with these unique takes on studio staples like reverb, delay, and tape saturation.
Trekking across the User Library in search of the very best Blocks and Ensembles for spaced out soundscapes.
REAKTOR Library hero James Peck, aka memorecks, and Daniel Berzen of Space Agency explain how they brought this unique audio-visual…
The producer and composer talks about the thrill of randomization, the textures of his new Alchemy EP, and our radical…
Peter Kirn warms up with a free modular patch, then looks at ways to connect REAKTOR with TidalCycles and LiveCore.
Designing unique and unsettling music for Till Death, Crash Bandicoot, and Call of Duty using modular synths, unusual instruments,…
The Toronto producer/DJ tells us about the the presets she uses to create New Age–infused floor fillers.