by Tim Cant

How to make a dark techno track

How to make a dark techno track.

Driving, mysterious, and hypnotic, dark techno is a style of electronic dance music fueled by pounding drums, insistent basslines, and moody FX. In this guide on how to make dark techno, we’ll look at how you can create all these elements and arrange them into a complete track.

What is dark techno music?

Dark techno is a subgenre of electronic dance music, typically involving heavy four-to-the-floor kick drums, highly rhythmic percussion, and chugging one-note bass lines.

What do people mean when they say dark techno?

Moody, sinister vibes have been an important part of techno since its inception, so there are many techno tracks that are dark. However, when people use the term “dark techno” it’s likely they are talking about the contemporary subgenre that includes such artists as Adam Beyer, Charlotte de Witte, and Amelie Lens.

How many beats per minute is dark techno?

Dark techno is generally in the 120-150 BPM range, though it can be much faster depending on the producer.

Jump to these sections:

  1. Making a beat with one-shots
  2. Layering loops
  3. Adding a lead synth
  4. Creating a bassline
  5. Making an atmospheric pad
  6. Sequencing a stab
  7. Creating a snare roll
  8. Arrangement
  9. Mastering

 

To follow along with this tutorial you’ll need Native Instruments Nacht Play Series instrument and Void Eclipse Expansion, both of which can be used via the free Komplete Kontrol plugin.

Explore Nacht

1. Making a beat with one-shots

We’ll begin by making a drum beat. Set your DAW’s project tempo to 135 BPM.

Setting the project tempo to 135 BPM.
Setting the project tempo to 135 BPM

On a MIDI track, load up Komplete Kontrol. We’re going to make our drum beat using one-shots from Void Eclipse, so click the One-shot button, then select the Void Eclipse expansion and set the Sound Type to Drums.

Selecting Void Eclipse’s one-shot drum sounds.
Selecting Void Eclipse’s one-shot drum sounds

Now the list of available samples will just show Void Eclipse’s one-shot drum sounds. Clicking the name of a sound will play it, and this is a good way to find samples that you like. Let’s start with the most important element of any dark techno track, a heavy kick drum. Double-click Kick Technamine to load it up.

Loading Kick Technamine.
Loading Kick Technamine

Create a four-bar MIDI clip, and make a sequence that plays C3 on every beat with a velocity of 100. We’ll use this velocity value for everything in this walkthrough.

Sequencing the kick drum
Sequencing the kick drum

Turn this track down to -6dB to give us some headroom to add other elements to the mix.

Leveling the kick drum
Leveling the kick drum

We can build up this drum beat by adding more one-shot elements. Add another MIDI track, add Komplete Kontrol, click the One-shots button and search for ‘OpenHH Doom’ in the text search field. Double-click OpenHH Doom to load it up.

Loading an open hat
Loading an open hat

Sequence this instrument to play on every other 8th note.

Sequencing the open hat
Sequencing the open hat

Now, set this track to -8.5 dB.

Balancing the open hat
Balancing the open hat

Next, we’ll add a closed hat track which we can use to fill out the beat’s top-end. Load up ClosedHH Genial 1 on a new track.

Loading a closed hat
Loading a closed hat

Sequence this to play on the first two 16th notes of each beat.

Sequencing the closed hat
Sequencing the closed hat

Set this track to -12 dB.

Balancing the closed hat
Balancing the closed hat

The final ones-shot element we’ll add is a clap. This time let’s go for Clap Maelstrom.

Loading a clap
Loading a clap

Sequence this to play on every other beat.

Sequencing the clap
Sequencing the clap

Set this track to -6 dB.

Balancing the clap
Balancing the clap

This clap has a loud compressed tail. Let’s tame it a little using Komplete Kontrol’s amplitude envelope functionality. Set the Envelope Type to ADSR, and turn down the Sustain to 0.70.

Tightening the clap
Tightening the clap

We now have a solid beat to use as the foundation for our track.

2. Layering loops

Let’s quickly add some top-end interest to our drum with some loops. Add a new MIDI track, and this time in Komplete Kontrol, click the Loops button and search for ‘Ride[136] Fatale’. Double-click the sample to load it.

Loading a ride loop
Loading a ride loop

Sequence this to play for the whole four bars.

Sequencing the ride loop
Sequencing the ride loop

Set this track to -11.4 dB.

Balancing the ride loop
Balancing the ride loop

This is very subtle, but it adds a touch of energy to the beat, and when it comes time to arrange the track we’ll be able to add or remove this element to modulate the track’s energy level.

On a new track load up the Top[140] Vapor loop.

Loading a tops loop
Loading a tops loop

Again sequence this to play for all four bars.

Sequencing the tops loop
Sequencing the tops loop

Set this track to -22.2 dB.

Balancing the tops loop
Balancing the tops loop

Our beat is now packed with energy, and we’re ready to begin adding some musical elements.

3. Adding a lead synth

Let’s use Nacht to add a lead synth sequence. On a new audio track, load up Komplete Kontrol, and this time keep the Instrument option selected and search for ‘Night Watch’. Double-click the Night Watch preset to load it up.

Loading the Night Watch preset
Loading the Night Watch preset

This instrument automatically plays a looped sequence. Getting your synths to sound good alongside your drums pitch-wise is an important part of techno music production, and in this case, the key of G works well. Sequence the preset to play on G1 for the whole four-bar loop.

Sequencing the Night Watch preset
Sequencing the Night Watch preset

Set this track to -8 dB.

Balancing the Night Watch preset
Balancing the Night Watch preset

This sounds okay, but that last note of the sequence is a touch dramatic for the feel we’re going for. Let’s tweak it. In Nacht click the Seq button to bring up the instrument’s sequencer.

The Seq button
The Seq button

In the Pitch step-sequencer, turn down the final note to a minor 2nd. This gives us a more subdued, funkier feel.

Adjusting the pitch sequencer
Adjusting the pitch sequencer

That sounds great! Our track is developing a musical identity. Let’s add a bassline next.

4. Creating a bassline

On a new track, load up the Wachstunden preset.

Loading the Wachstunden preset
Loading the Wachstunden preset

This is also a sequenced instrument, but in this context we want to make a simple, monotone bassline. Turn the sequencer off by clicking the power button next to where it says Seq.

Deactivating the sequencer
Deactivating the sequencer

Now let’s give this tone a more sinister feeling by turning the Cutoff down to 30%, and the Reverser up to 21%.

The FX button
The FX button

Set this track to -6 dB.

Balancing the Wachstunden preset
Balancing the Wachstunden preset

Now sequence the preset to play on the first, fourth and seventh 16th notes on G0. Repeat this pattern out for the whole four-bar sequence.

Sequencing the Wachstunden preset
Sequencing the Wachstunden preset

This bass line adds a hypnotic low-end groove to our track.

5. Making an atmospheric pad

With the main elements of our track in place, it’s time to add some parts that we can use to enhance the arrangement. First let’s add an atmospheric pad. On a new track, load up Komplete Kontrol and this time search for the ‘Velvet Noise’ instrument preset.

Loading the Velvet Noise preset
Loading the Velvet Noise preset

This is a sinister pad that will provide an uneasy, futuristic vibe. Set this track to -11 dB.

Balancing the Velvet Noise preset
Balancing the Velvet Noise preset

Sequence the preset to play on G2 for the full four bars.

Sequencing the Velvet Noise preset
Sequencing the Velvet Noise preset

6. Sequencing a stab

Let’s make a stab sound to add an emphatic punch to the start of our loop. This time, load up the Alptraum preset.

Loading the Alptraum preset
Loading the Alptraum preset

Set this track to -10 dB.

Balancing the Alptraum preset
Balancing the Alptraum preset

Sequence this to play G0 on the first beat of the first bar.

Sequencing the Alptraum preset
Sequencing the Alptraum preset

In context this sounds a touch try, so let’s turn up the preset’s reverb effect. Click the FX button to bring up the FX parameter panel.

The FX button
The FX button

Click the Reverb effect, and turn up the Wet knob to 28%.

Adjusting the reverb’s wet level
Adjusting the reverb’s wet level

7. Creating a snare roll

The final element we’re going to add is a snare roll, which will help us make a satisfying arrangement. On a new track, select the One-shot button in Komplete Kontrol and search for the ‘Snare Wrecking’ sample. Double-click the sample to load it.

Loading the Snare Wrecking sample
Loading the Snare Wrecking sample

Set the track to -3 dB.

Balancing the Snare Wrecking sample
Balancing the Snare Wrecking sample

Sequence the snare, copying the 32nd note pattern we’ve used here.

Sequencing the Snare Wrecking sample
Sequencing the Snare Wrecking sample

This leads nicely into the stab at the start of the bar, helping enhance the rolling groove.

8. Arrangement

Here’s an example of an arrangement you can use for your track. To keep things progressing, elements are added or removed every eight or sixteen bars. There is a short breakdown at bar 41, where the kick is removed, but the bass remains. This keeps the track’s momentum going rather than providing a break.

The arrangement
The arrangement

Automation is a useful technique in dark techno tracks. Here, we’ve automated the Cutoff macros on the lead and bass and the Reverser effect on the bass to create dynamic movement through certain sections of the track. This helps create and release tension, ensuring the track doesn’t lose energy or become stale.

Parameter automation
Parameter automation

9. Mastering

Let’s quickly create a master with iZotope Ozone 11. Add the plugin to the project’s master channel and click the Assistant View button.

Ozone’s Assistant View button
Ozone’s Assistant View button

Ozone 11 will ask you to play back the loudest part of the track. Play back from bar 49, and the plugin will create a custom mastering chain for your project. You can use the Detailed View to make adjustments to this if necessary.

Ozone’s Detailed View
Ozone’s Detailed View

Start making dark techno with Nacht and Void Eclipse

Here we’ve seen how you can make your own dark techno song with Nacht and Void Eclipse. If you’d like to learn more about making electronic music, check out How to make techno and Native Instruments’ range of techno and house expansions.

Explore Nacht

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