He was recently a consultant during the creation of STRAYLIGHT, a granular instrument for playing cinematic soundscapes, transitions, and ambient tones in real-time. Primarily designed to deal with everything from post-apocalyptic sci-fi to gritty thrillers, it now features on all of his current projects, be they scoring or conventional music writing.

Watch as he explains his approach to scoring, and how STRAYLIGHT compliments this approach, allowing him to perform granular synthesis in real-time, in a way no other instrument can.