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Got the basics down? Here's how to make ambient music that offers a little something extra.
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
Find out how the Mesh and Monkeytown producer creates his ethereal, atmospheric productions.
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.
Take a cue from the world of film and television, and add some real-world sound to your productions.
Reuben Cornell creates two cinematic sketches with some of the Heavyocity instruments from our store.
From orchestral instruments to atmospheric percussion, here’s everything you need for your next soundtrack.
Product specialist Reuben Cornell sketches out ideas using some of Soundiron's NKS-ready instruments…
Learn how to mix and mutate your own creative impact sounds with product specialist Reuben Cornell.
The Grammy-winning composer, producer, music director, conductor, and keyboardist charts his journey from Buenos Aires to the heart of Hollywood.
Product specialist Reuben Cornell runs you through some of his favorite Orchestral Tools presets and shares his top tips for…
Find out how the cinematic granular synth came together, thanks to developer Frank Elting.
Learn how to use the NKS-ready Swing! and Swing More! libraries from ProjectSAM to create vibrant, vintage soundtracks.
Master the art of the cue with Heavyocity’s NKS-ready instruments…
Go from classical scores to sci-fi sound effects and ambiences with the best user-made ensembles for REAKTOR.
Discover how Tom Holkenborg got to the top in film scoring – and how you can use his sounds in your…