Interviews
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Learn how Andre Samuel and Daylight kept Mon Rovîa’s Bloodline sounding natural and clean
Learn how production duo Daylight and Andre Samuel used iZotope RX and Native Instruments tools to capture the organic soul…
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Speed, melody, and instinct: Will Bates on composing for streaming with Kontakt
Will Bates explains how Noire and Kontakt helped him score 'The Better Sister' with speed, emotion, and precision for Prime…
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Richie Hawtin: deconstructing the dancefloor with Traktor
Go behind the scenes with Richie Hawtin to see how he uses Traktor, analog mixing, and live sequencing to create…
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How Nova Wolf finds humanity in loudness with Ozone
Nova Wolf explains how iZotope Ozone helped him master Nomad Tapes: Africa with warmth, emotion, and cohesion, balancing intensity with…
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How DJ T-1000 keeps Detroit hands-on with Maschine
DJ T-1000 explains how Maschine fuels his Detroit-driven workflow, bringing focus, rhythm, and hardware energy to his new EP Ghosthack.
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Inside the spectral world of Oscillarys: a deep dive with Ocean Swift Synthesis
From Eurorack loops to vintage vocals: Ocean Swift shares how they built Oscillarys for motion and why they’ve moved fully…
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DNKLE turns emotion into energy with Pharlight
DNKLE details how Pharlight helped him turn raw intensity into controlled soundscaping on his latest single, “Pressure,” from GITA Recordings.
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Behind the bounce of Millennium Hip Hop: a conversation with Snipe Young
Get production tips from GRAMMY-winner Snipe Young. Discover how to capture the legendary Virginia Beach sound with the new Millennium…
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Marco Polo on crafting the ultimate boom bap drum instrument
Legendary producer Marco Polo discusses the creation of his new Play Series instrument, translating three decades of hip hop into…
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How Massive helped Johnny Gorillas shape two creative worlds
Johnny Gorillas shares how mastering Native Instruments Massive shaped his solo work and his work with mono sky, creating consistency…
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Taming the monster: behind the soundtrack of K-Pop Demon Hunters
Discover how GRAMMY-nominated engineer Curtis Douglas and producer Lindgren used iZotope Ozone, RX, and Kontakt to craft the high-impact, polished…
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Weird by design: HAAi on the limitless potential of Absynth 6
Discover how the Australian artist HAAi uses the new engine in Absynth 6 to create layered atmospheres and immersive soundscapes…