Interviews
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Why Ainonow uses FM8 for percussion, noise, and everything that isn’t a lead
Ainonow shares how he uses FM8 for percussion and noise design on his latest release, with tips on transient control,…
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Will Clarke on turning Maschine+ into a live performance weapon
Will Clarke breaks down how Maschine+ powers his live show, bringing flexibility and feel to performances of his 'Midnight Mass'…
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Building tracks with generative ideas: how iorie uses Reaktor
iorie breaks down how he uses Reaktor to create generative ideas, process them into finished tracks, and keep his workflow…
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How Notre Dame uses Battery to shape drum-driven emotion in his tracks
Notre Dame breaks down how he used Battery to shape the emotional groove of Do For Your Love and shares…
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How Lipless uses AI mastering tools without losing the emotional impact
Lipless breaks down how he used AI mastering tools without losing the emotional energy behind “State Of Mind,” his new…
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How Anvaya uses Kontakt to bring South Asian instruments into club music
Anvaya breaks down how they use Kontakt, resampling, and cultural instrumentation to build club tracks fast without over-processing or losing…
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Why Flight School trusts Kontakt over hardware when deadlines matter
Flight School shares how they use Kontakt over hardware to stay creative, meet deadlines, and blend pop vocals with drum…
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How RayRay gets unheard-of results with VocalSynth 2
Discover how RayRay transforms vocals with VocalSynth 2, crafting unique, studio-quality sounds that stand out in the music production world.
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Inside the Kontakt workflow behind Arnaud Roy’s ENDLESS Legend 2 score
Composer Arnaud Roy explains how he used Kontakt, custom sampling, and spatial mixing to build the adaptive score for ENDLESS…
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ASHRR on blending live drums with Battery for extra punch and clarity
ASHRR breaks down their hybrid drum production, layering live recordings with MIDI using Battery 4, plus insights on their remix…
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How HWIN makes MIDI feel human with Kontakt and real-time expression
HWIN breaks down how he makes MIDI feel human using Kontakt, real-time expression, and performance-driven techniques – plus his new…
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Why BIIANCO ditched the laptop and built their live set around Maschine+
BIIANCO breaks down how they use Maschine+ to sequence acid bass, sync modular gear, and build a DAWless live setup…