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Mux Mool on Maschine, Opal Drums, and the future of live electronic performance
Mux Mool explains how Maschine drives the sound and performance of Opal Drums, bridging studio precision and live energy with…
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How to flip samples like the top 1% of producers
In this blog, you’ll learn sample flipping techniques for your music production workflow, all with tools in the Native Instruments…
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The best music production software from Native Instruments
Discover the best music production software for creating, mixing, and mastering your music, including free tools and pro plugins from…
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Absynth 6 Preset Explorer: where AI meets musical intuition
Discover how Absynth 6 Preset Explorer uses AI to organize sound by timbre, revealing creative relationships and putting human authorship…
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5 ways to get club-ready guitar hooks into your house track (no guitar skills required)
Learn five electronic music production tips on how to add professional guitar hooks to a house track with Session Guitarist:…
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SHIMA on using Kontakt to reimagine Japanese tradition in modern electronic music
Tokyo-born producer SHIMA breaks down how Kontakt helped shape Welcome to SHIMAJIMA, which blends Japanese heritage with modern production.
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Dela Utca on blending live guitar with sampled layers with Kontakt
Dela Utca explains how Kontakt powers his hybrid songwriting on “In The City,” blending acoustic guitar and piano with modern…
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Inside Pythius’s workflow for fusing metal and drum and bass
Pythius explains how Pharlight and Damage shaped his newest EP, merging cinematic tension with the high-energy precision of drum and…
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How Tom Schraeder brings humanity to horror with Thrill
Composer Tom Schraeder explains how Native Instruments’ Thrill helped him shape the haunting, human tension behind Vicious.
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10 Phantom Rooms on RSI 2: how rare Berlin synths shape the future of NKS
Tobias from 10 Phantom Rooms discusses the making of RSI 2, an NKS exclusive performance-focused instrument made from rare sampled…
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Jonas Blue on rediscovering house and reshaping his sound with Transient Master
Jonas Blue breaks down “Edge of Desire,” explaining how Transient Master shaped its energy and why he’s returning to his…
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Corren Cavini on building narrative through sound in his debut album
Corren Cavini discusses emotional storytelling and sound design in A Place To Call Home, exploring how Kontakt and Raum shaped…
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7 quick tips for ambient, atmospheric music
Got the basics down? Here's how to make ambient music that offers a little something extra.
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Telefon Tel Aviv: Sound design, sine waves, and why ‘wrong’ is often right
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
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Using TRAKTOR in the studio: How the DJ tool is used to make beats
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
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Eomac and Kyoka are Lena Andersson
Learn about the collaborative project between Irish producer Eomac and the Japanese artist Kyoka.
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Secrets of electronic interfaces: Modularity
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
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Thomas Ragsdale on atmospheric, commercial music
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
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Richard Devine: A history of making music
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
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Robert Dudzic: How to be the best at sound design
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.