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Building tracks with generative ideas: how iorie uses Reaktor
iorie breaks down how he uses Reaktor to create generative ideas, process them into finished tracks, and keep his workflow…
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How Notre Dame uses Battery to shape drum-driven emotion in his tracks
Notre Dame breaks down how he used Battery to shape the emotional groove of Do For Your Love and shares…
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Free cinematic sound libraries for Kontakt
Write pro-sounding movie scores for free. Explore the 15 best free libraries for cinematic sound, from orchestras to epic synths…
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How Lipless uses AI mastering tools without losing the emotional impact
Lipless breaks down how he used AI mastering tools without losing the emotional energy behind “State Of Mind,” his new…
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How Anvaya uses Kontakt to bring South Asian instruments into club music
Anvaya breaks down how they use Kontakt, resampling, and cultural instrumentation to build club tracks fast without over-processing or losing…
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5 common mistakes new artists make – and how to avoid them
New to music production? Learn five common mistakes artists make and how to avoid them with practical tips.
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How to keep your music sounding fresh with modulation
Discover how to keep your music engaging and present with powerful modulation techniques.
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Why Flight School trusts Kontakt over hardware when deadlines matter
Flight School shares how they use Kontakt over hardware to stay creative, meet deadlines, and blend pop vocals with drum…
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5 creative reverb techniques to try in your productions
Discover creative reverb techniques to transform your music production. Learn about mixing with reverb, and explore Native Instruments reverbs using…
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5 ways to use Noire for immersive soundscapes
Create deep, dreamy soundscapes with just a few notes. Learn sound design techniques for scoring and ambient music using Noire,…
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How RayRay gets unheard-of results with VocalSynth 2
Discover how RayRay transforms vocals with VocalSynth 2, crafting unique, studio-quality sounds that stand out in the music production world.
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Inside the Kontakt workflow behind Arnaud Roy’s ENDLESS Legend 2 score
Composer Arnaud Roy explains how he used Kontakt, custom sampling, and spatial mixing to build the adaptive score for ENDLESS…
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7 quick tips for ambient, atmospheric music
Got the basics down? Here's how to make ambient music that offers a little something extra.
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Telefon Tel Aviv: Sound design, sine waves, and why ‘wrong’ is often right
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
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Using TRAKTOR in the studio: How the DJ tool is used to make beats
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
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Eomac and Kyoka are Lena Andersson
Learn about the collaborative project between Irish producer Eomac and the Japanese artist Kyoka.
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Secrets of electronic interfaces: Modularity
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
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Thomas Ragsdale on atmospheric, commercial music
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
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Richard Devine: A history of making music
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
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Robert Dudzic: How to be the best at sound design
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.