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Mina on getting that global sound
With a sound ingrained in melodic afrobeat, dancehall and bass-driven, Mina talks about her grounding in production, and she crafts…
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WATCH: How to use the RAZOR vowel filter
Master RAZOR's vowel filter make vocal-like patches instantly.
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Maylee Todd on how to be experimental live
Canadian performance artist Maylee Todd discusses the use of MASCHINE and use of audio-visual projections in her conceptual live shows.
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Soul Brother Stef: Beatmaker on the rise
Canadian beatmaker and YouTube sensation Soul Brother Stef opens up about his success, explaining how to make it as an…
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A beginner’s guide to Blocks
Get started with REAKTOR Blocks, with these introductory tutorial videos.
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Shaun Frank on crafting his distinctive beats
Canadian producer Shaun Frank shares his production secrets, and explains how he integrated MASCHINE into his live setup.
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Errorsmith: Creative at the source
The architect behind RAZOR discusses his relationship with plugin development and music, and how it formed his new album Superlative…
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WATCH: How to make techno
Start sketching out your first techno beat using POLYPLEX by watching this beginner's tutorial guide.
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Sven Weisemann on creating his trademark sound
Discussing his new LP recorded as Desolate, German producer Sven Weisemann discusses his approach to production, effects, and sound libraries.
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Behind the Scenes: V.I.V.E.K on workflows with MASCHINE
Kabuki talks to UK producer V.I.V.E.K about studio processes. Read on to check out an exclusively produced track for Native…
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Jamie Lidell: The audiophile
Tim Exile chats to sonic pioneer Jamie Lidell about his approach to music making, creative processes, and his new podcast…
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WATCH: Get started with MONARK in this latest tutorial video
Create incredible analog-style bass in a matter of minutes with this beginner's tutorial video for MONARK.
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7 quick tips for ambient, atmospheric music
Got the basics down? Here's how to make ambient music that offers a little something extra.
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Telefon Tel Aviv: Sound design, sine waves, and why ‘wrong’ is often right
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
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Using TRAKTOR in the studio: How the DJ tool is used to make beats
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
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Eomac and Kyoka are Lena Andersson
Learn about the collaborative project between Irish producer Eomac and the Japanese artist Kyoka.
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Secrets of electronic interfaces: Modularity
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
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Thomas Ragsdale on atmospheric, commercial music
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
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Richard Devine: A history of making music
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
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Robert Dudzic: How to be the best at sound design
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.