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Why Monark plays a central role in Broken Hill’s Detroit-influenced club tracks
Broken Hill breaks down how he used Monark to shape the bass line on "Brain Delay" – sharing tips on…
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How the Kontrol S88 keyboard helps Kaitlyn Aurelia Smith translate emotion into structure
Kaitlyn Aurelia Smith shares how the Kontrol S88 keyboard and Kontakt shaped the writing of GUSH, focusing on harmony, emotion,…
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How Sainte Vie uses Battery to shape rhythm across cultural sounds
Sainte Vie breaks down how he uses Battery to trim, tune, and shape rhythm across genres - keeping his drum…
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What is phonk music? A beginner’s guide and how to produce it
Learn what phonk music is, what defines its gritty sound, and follow this step-by-step guide on how to make phonk…
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Why Ainonow uses FM8 for percussion, noise, and everything that isn’t a lead
Ainonow shares how he uses FM8 for percussion and noise design on his latest release, with tips on transient control,…
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Will Clarke on turning Maschine+ into a live performance powerhouse
Will Clarke breaks down how Maschine+ powers his live show, bringing flexibility and feel to performances of his 'Midnight Mass'…
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Building tracks with generative ideas: how iorie uses Reaktor
iorie breaks down how he uses Reaktor to create generative ideas, process them into finished tracks, and keep his workflow…
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How Notre Dame uses Battery to shape drum-driven emotion in his tracks
Notre Dame breaks down how he used Battery to shape the emotional groove of Do For Your Love and shares…
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Free cinematic sound libraries for Kontakt
Write pro-sounding movie scores for free. Explore the 15 best free libraries for cinematic sound, from orchestras to epic synths…
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How Lipless uses AI mastering tools without losing the emotional impact
Lipless breaks down how he used AI mastering tools without losing the emotional energy behind “State Of Mind,” his new…
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How Anvaya uses Kontakt to bring South Asian instruments into club music
Anvaya breaks down how they use Kontakt, resampling, and cultural instrumentation to build club tracks fast without over-processing or losing…
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5 common mistakes new artists make – and how to avoid them
New to music production? Learn five common mistakes artists make and how to avoid them with practical tips.
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7 quick tips for ambient, atmospheric music
Got the basics down? Here's how to make ambient music that offers a little something extra.
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Telefon Tel Aviv: Sound design, sine waves, and why ‘wrong’ is often right
We sit down with Josh Eustis to dissect the sounds and techniques behind Dreams Are Not Enough…
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Using TRAKTOR in the studio: How the DJ tool is used to make beats
Discovering the creative powers of TRAKTOR for music production with Huerco S., Konx-om-Pax, and exael.
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Eomac and Kyoka are Lena Andersson
Learn about the collaborative project between Irish producer Eomac and the Japanese artist Kyoka.
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Secrets of electronic interfaces: Modularity
PUSH TURN MOVE and PATCH & TWEAK author Kim Bjørn explores methods for interfacing with music through hardware and software.
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Thomas Ragsdale on atmospheric, commercial music
Having scored countless advertisements, the UK producer breaks down his studio tools, workflow and tricks.
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Richard Devine: A history of making music
Electronic music pioneer discusses his love for REAKTOR BLOCKS, THRILL, and more.
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Robert Dudzic: How to be the best at sound design
Acclaimed sound designer Robert Dudzic divulges his secrets on recording, effects, and how to break into the industry.