by Tim Cant

Exploring Jacob Collier Audience Choir: immersive vocals for music production

Jacob Collier Audience Choir

The sound of the human voice is one of the most emotionally and atmospherically evocative tones in existence, and vocal choirs play a part in everything from religious ceremonies to epic film scores.

Enter Jacob Collier Audience Choir, an awe-inspiring, free instrument from award-winning multi-instrumentalist and Native Instrument Artist Board member Jacob Collier. Created using audience recordings from Jacob’s Djesse world tour (Djesse Vol. 4 out now!), this instrument allows you to harness the emotive power of a huge choir, and sculpt it in exciting ways.

Thankfully, you don’t have to be a music theory genius to make some amazing music with this powerful tool, and in this tutorial we’ll show you step-by-step how to use it to create a monumental beat – or any other choir-inspired music you want to make.

What is the Audience Choir?

During Jacob Collier’s live performances, he often conducts the audience to sing harmony or percussion parts. Audience Choir is a free Kontakt instrument created using recordings of these audience performances from around the world, giving you a unique instrument that delivers unparalleled emotion and atmosphere.

What is Jacob Collier known for?

Jacob Collier rose to prominence thanks to his YouTube videos, where he showcased his musical skills by performing covers and original compositions. He became known for his distinctive reharmonization techniques and creative interpretations of well-known songs.

Jacob Collier
Jacob Collier

As well as YouTube videos, Jacob is known for his innovative live shows and radical albums ‘In My Room’ and ‘Djesse’ volumes 1-4.

Conduct your own audience choir in your beat

Let’s explore how to create a beat using Jacob Collier Audience Choir. If you’re interested in learning more about the instrument before we start, check out our video on how to use it below.

1. Compose a drum part

Let’s begin by creating a drum rhythm to base our beat on. Set your DAW’s project tempo to 90 BPM.

Setting the project tempo
Setting the project tempo

Now add a MIDI track to your project, and in Kontakt 7 or Kontakt 7 Player select Jacob Collier Audience Choir in the library, then double-click the Jacob Collier Audience Choir instrument to load it up.

Loading the Jacob Collier Audience Choir instrument
Loading the Jacob Collier Audience Choir instrument

You’ll notice that the instrument’s virtual keyboard has three coloured sections: yellow, orange and blue. The yellow section represents percussive sounds, the orange section represents triads, and the blue section represents individual notes. We’ll start by creating a beat using the yellow percussive sounds.

Audience Choir’s virtual keyboard
Audience Choir virtual keyboard

Create a one-bar MIDI clip, and copy the pattern we’ve used here, which features stomps on C0 and claps on C#0. Note that we’ll use velocity values of 100 for everything in this guide.

The drum pattern
The drum pattern

This hip hop-style pattern will provide the foundation to our beat. Loop the MIDI clip, and extend it out so that it plays for four bars.

Extending the drum MIDI clip
Extending the drum MIDI clip

2. Create a chord progression

Now we have a drum part, let’s make a chord progression. Add another MIDI track, and again load up Kontakt 7 and the Jacob Collier Audience Choir instrument.

Jacob Collier Audience Choir
Jacob Collier Audience Choir

This time we’re going to use the individual notes to make our chord progression. The Audience Choir instrument can assist us make a chord progression if we activate the Chord Generator mode at the top left-hand corner of the instrument’s interface.

Activating the Chord Generator
Activating the Chord Generator

Now when you play a single note, the Chord Generator will turn it into a chord. Specifically, because the Chord Generator is set to the key C Major, it’ll create chords in the key of C Major. Copy the MIDI pattern we’ve used here, which plays G2, E3, D#3, and C4.

The chord progression MIDI
The chord progression MIDI

This creates a chord progression that plays G major, E minor, D# major and C major.

Set this track’s volume level to -6 dB to balance it with the percussive sounds.

Balancing the chord progression
Balancing the chord progression

3. Write a bass line

When it comes to low-end, few sounds have the impact of an 808-style bass drum. The important part is to pick an 808 that fits with our existing elements, and for this we’re going to use the Mafia Eight preset from Massive X. Add a new MIDI track, load up Massive X, then in the browser search for “mafia eight” and double-click the preset to load it up.

The Mafia Eight preset
The Mafia Eight preset

Set this track to -6 dB to balance it with the other elements.

Balancing the Mafia Eight preset
Balancing the Mafia Eight preset

Copy the four-bar bass line we’ve used here, which plays G2, D#2, F2 and C2.

The 808 bass part
The 808 bass part

4. Sequence trap hats

Next we’ll add some rhythmic high-end to our hats. Add Battery 4 on a new MIDI track, and load up the 808 Detailed Kit preset.

The 808 Detailed Kit preset
The 808 Detailed Kit preset

Set this track to -6 dB.

Balancing the 808 Detailed Kit
Balancing the 808 Detailed Kit

Sequence E4 closed hats on 8th notes for two bars with 1/32 triplet rolls on the final 8th note of the first bar, and at the end at the end of the second bar as illustrated.

808 closed hat with triplet rolls
808 closed hat with triplet rolls

Loop the two bars out to four bars. Here’s how the hats sound along with the other elements.

5. Add a rhythm synth

Let’s add a simple rhythm synth part now. Add a new MIDI track with Massive X on it, and in the browser load up the Crush Star preset.

The Crush Star preset
The Crush Star preset

Set this track to -3 dB.

Balancing the Crush Star preset
Balancing the Crush Star preset

Copy the pattern we’ve used here, which plays on G2 followed by G3.

The rhythm synth part
The rhythm synth part

6. Make transitional FX

To help us make a satisfying arrangement, let’s add some transitional FX. Add a new MIDI track and load up Komplete Kontrol on it. Click the One-shot button, and search for ‘impact detour’. Double-click the Impact Detour one-shot to load it up.

The Impact Detour one-shot
The Impact Detour one-shot

Set this track to -6 dB.

Balancing the Impact Detour one-shot
Balancing the Impact Detour one-shot

Sequence the one-shot to play C3 on the first beat of the first bar.

Sequencing the Impact Detour one-shot
Sequencing the Impact Detour one-shot

Now add another MIDI track. Again load up Komplete Kontrol, but this time load up the Riser Viima one-shot.

The Riser Viima one-shot
The Riser Viima one-shot

Set this track to -12 dB.

Balancing the Riser Viima one-shot
Balancing the Riser Viima one-shot

Set the Envelope Type to ADSR. This means that the one-shot will only play for as long as it’s receiving a MIDI on message, rather than all the way through automatically.

Setting the Envelope Type to ADSR
Setting the Envelope Type to ADSR

Sequence the one-shot on C3 for the last two bars of the four-bar sequence.

Sequencing the Riser Viima one-shot
Sequencing the Riser Viima one-shot

7. Create an arrangement

Let’s make an arrangement for our beat. Copy the arrangement we’ve used here.

The basic arrangement
The basic arrangement

Let’s spice up the arrangement with some vocal modulation. Audience Choir allows us to morph between different vowel sounds in real time with an XY pad. Copy the modulation on the X and Y parameters we’ve used here to move the sound from “Mm” to “Oo” between bars 13 and 17, then down to “Ee” between bars 17 and 21, then finally over to “Aa” between bars 21 and 25.

Morphing the choir vowel sound
Morphing the choir vowel sound

After this we want the beat to crescendo, so for bars 25-29 and 29-33 duplicate the choir part an octave up, giving as a huge sound.

Duplicating the choir an octave up
Duplicating the choir an octave up

Here’s how the finished arrangement sounds.

The finished arrangement
The finished arrangement

8. Master your beat

Let’s master our track. Add iZotope Ozone 11 to the master track, and click the Assistant View button.

The Assistant View
Ozone Master Assistant

Ozone 11 will ask you to play the loudest section of your mix. Play the project back from bar 25, and the plugin will create a custom mastering chain for your project.

The custom mastering chain
The custom mastering chain

Start using Jacob Collier Audience Choir

Here we’ve seen how you can make a majestic beat with Jacob Collier Audience Choir. If you’d like to read more check out our guides on music production, vocal layering, free vocal samples, and how to score with vocals.

Get Jacob Collier Audience Choir free

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