Australian producer Rick Bull discusses how he recreated his sonic template to switch from club-orientated music to the ethereal world of Acharné
Detroit legend DJ T-1000, a.k.a. Alan Oldham, discusses how MASCHINE sits at the heart of his new studio.
Reflecting on her musical upbringing, Anna Jordan discusses her sound stylings, and her approach to production as The Allegorist.
From Segues to Stems, Greg Wilson discusses his history in the re-edit world, through to his involvement with STEMS.
Follow the digital cumbia pioneers deep into the Amazon in Peru to meet psychedelic cumbia legends Los Wembler’s de Iquitos and collaborate on new music.
The Indiana-based dance music futurist talks about her creative process and the gear she uses to make music.
A guide to working in film scoring and trailers.
The NON Worldwide member explains how making music with PlayStations developed into his current setup.
Deru talks about his his approach to production, sampling, and overcoming writer’s block in the studio.
Recording as WIFE, James Kelly discusses his approach to production, outlining how he approached his contribution to Komplete Sketches
Le compositeur de renom Jean-Michel Bernard revient sur les différents procédés de ses compositions, qui ont marqué le film mythique de Michel Gondry, " La science des rêves".